Books of Blood Vol 5 Page 5

  'I just came to look - ' she said, ' - at the picture.'

  The buzzing went on: the sound of a sleepy afternoon, far from here. The man in the doorway did not move.

  'Well...' she said, 'I've seen what I wanted to see.' She hoped against hope that her words would prompt him to stand aside and let her past, but he didn't move, and she couldn't find the courage to challenge him by stepping towards the door.

  'I have to go,' she said, knowing that despite her best efforts fear seeped between every syllable. 'I'm expected...'

  That was not entirely untrue. Tonight they were all invited to Appollinaires for dinner. But that wasn't until eight, which was four hours away. She would not be missed for a long while yet.

  'If you'll excuse me,' she said.

  The buzzing had quietened a little, and in the hush the man in the doorway spoke. His unaccented voice was almost as sweet as his scent.

  'No need to leave yet,' he breathed.

  'I'm due... due...'

  Though she couldn't see his eyes, she felt them on her, and they made her feel drowsy, like that summer that sang in her head.

  'I came for you,' he said.

  She repeated the four words in her head. I came for you. If they were meant as a threat, they certainly weren't spoken as one.

  'I don't... know you,' she said.

  'No,' the man murmured. 'But you doubted me.'

  'Doubted?'

  'You weren't content with the stories, with what they wrote on the walls. So I was obliged to come.'

  The drowsiness slowed her mind to a crawl, but she grasped the essentials of what the man was saying. That he was legend, and she, in disbelieving him, had obliged him to show his hand. She looked, now, down at those hands. One of them was missing. In its place, a hook.

  'There will be some blame,' he told her. 'They will say your doubts shed innocent blood. But I say - what's blood for, if not for shedding? And in time the scrutiny will pass. The police will leave, the cameras will be pointed at some fresh horror, and they will be left alone, to tell stories of the Candyman again.'

  'Candyman?' she said. Her tongue could barely shape that blameless word.

  'I came for you,' he murmured so softly that seduction might have been in the air. And so saying, he moved through the passageway and into the light.

  She knew him, without doubt. She had known him all along, in that place kept for terrors. It was the man on the wall. His portrait painter had not been a fantasist: the picture that howled over her was matched in each extraordinary particular by the man she now set eyes upon. He was bright to the point of gaudiness: his flesh a waxy yellow, his thin lips pale blue, his wild eyes glittering as if their irises were set with rubies. His jacket was a patchwork his trousers the same. He looked, she thought, almost ridiculous, with his bloodstained motley, and the hint of rouge on his jaundiced cheeks. But people were facile. They needed these shows and shams to keep their interest. Miracles; murders; demons driven out and stones roiled from tombs. The cheap glamour did not taint the sense beneath. It was only, in the natural history of the mind, the bright feathers that drew the species to mate with its secret self.

  And she was almost enchanted. By his voice, by his colours, by the buzz from his body. She fought to resist the rapture, though. There was a monster here, beneath this fetching display; its nest of razors was at her feet, still drenched in blood. Would it hesitate to slit her own throat if it once laid hands on her?

  As the Candyman reached for her she dropped down and snatched the blanket up, flinging it at him. A rain of razors and sweetmeats fell around his shoulders. The blanket followed, blinding him. But before she could snatch the moment to slip past him, the pillow which had lain on the blanket rolled in front of her.

  It was not a pillow at all. Whatever the forlorn white casket she had seen in the hearse had contained, it was not the body of Baby Kerry. That was here, at her feet, its blood-drained face turned up to her. He was naked. His body showed everywhere signs of the fiend's attentions.

  In the two heartbeats she took to register this last horror, the Candyman threw off the blanket. In his struggle to escape from its folds, his jacket had come unbuttoned, and she saw - though her senses protested - that the contents of his torso had rotted away, and the hollow was now occupied by a nest of bees. They swarmed in the vault of his chest, and encrusted in a seething mass the remnants of flesh that hung there. He smiled at her plain repugnance.

  'Sweets to the sweet,' he murmured, and stretched his hooked hand towards her face. She could no longer see light from the outside world, nr hear the children playing in Butts' Court. There was no escape into a saner world than this. The Candyman filled her sight; her drained limbs had no strength to hold him at bay.

  'Don't kill me,' she breathed.

  'Do you believe in me?' he said.

  She nodded minutely. 'How can I not?' she said.

  'Then why do you want to live?'

  She didn't understand, and was afraid her ignorance would prove fatal, so she said nothing.

  'If you would learn,' the fiend said, 'just a little from me... you would not beg to live.' His voice had dropped to a whisper. 'I am rumour,' he sang in her ear. 'It's a blessed condition, believe me. To live in people's dreams; to be whispered at street-corners; but not have to be. Do you understand?'

  Her weary body understood. Her nerves, tired of jangling, understood. The sweetness he offered was life without living: was to be dead, but remembered everywhere; immortal in gossip and graffiti.

  'Be my victim,' he said.

  'No...' she murmured.

  'I won't force it upon you,' he replied, the perfect gentleman. 'I won't oblige you to die. But think; think. If I kill you here - if I unhook you...' he traced the path of the promised wound with his hook. It ran from groin to neck. 'Think how they would mark this place with their talk... point it out as they passed by and say: "She died there; the woman with the green eyes". Your death would be a parable to frighten children with. Lovers would use it as an excuse to cling closertogether...'

  She had been right: this was a seduction.

  'Was fame ever so easy?' he asked.

  She shook her head. 'I'd prefer to be forgotten,' she replied, 'than be remembered like that.'

  He made a tiny shrug. 'What do the good know?' he said. 'Except what the bad teach them by their excesses?' He raised his hooked hand. 'I said I would not oblige you to die and I'm true to my word. Allow me, though, a kiss at least...'

  He moved towards her. She murmured some nonsensical threat, which he ignored. The buzzing in his body had risen in volume. The thought of touching his body, of the proximity of the insects, was horrid. She forced her lead-heavy arms up to keep him at bay.

  His lurid face eclipsed the portrait on the wall. She couldn't bring herself to touch him, and instead stepped back. The sound of the bees rose; some, in their excitement, had crawled up his throat and were flying from his mouth. They climbed about his lips; in his hair.

  She begged him over and over to leave her alone, but he would not be placated. At last she had nowhere left to retreat to; the wall was at her back. Steeling herself against the stings, she put her hands on his crawling chest and pushed. As she did so his hand shot out and around the back of her neck, the hook nicking the flushed skin of her throat. She felt blood come; felt certain he would open her jugular in one terrible slash. But he had given his word: and he was true to it.

  Aroused by this sudden activity, the bees were everywhere. She felt them moving on her, searching for morsels of wax in her ears, and sugar at her lips. She made no attempt to swat them away. The hook was at her neck. If she so much as moved it would wound her. She was trapped, as in her childhood nightmares, with every chance of escape stymied. When sleep bad brought her to such hopelessness - the demons on every side, waiting to tear her limb from limb - one trick remained. To let go; to give up all ambition to life, and leave her body to the dark. Now, as the Candyman's face pressed to hers, and the sound
of bees blotted out even her own breath, she played that hidden hand. And, as surely as in dreams, the room and the fiend were painted out and gone.

  She woke from brightness into dark. There were several panicked moments when she couldn't think of where she was, then several more when she remembered. But there was no pain about her body. She put her hand to her neck; it was, barring the nick of the hook, untouched. She was lying on the mattress she realized. Had she been assaulted as she lay in a faint? Gingerly, she investigated her body. She was not bleeding; her clothes were not disturbed. The Candyman had, it seemed, simply claimed his kiss.

  She sat up. There was precious little light through the boarded window - and none from the front door. Perhaps it was closed, she reasoned. But no; even now she heard somebody whispering on the threshold. A woman's voice.

  She didn't move. They were crazy, these people. They had known all along what her presence in Butts' Court had summoned, and they had protected him - this honeyed psychopath; given him a bed and an offering of bonbons, hidden him away from prying eyes, and kept their silence when he brought blood to their doorsteps. Even Anne-Marie, dry-eyed in the hallway of her house, knowing that her child was dead a few yards away.

  The child! That was the evidence she needed. Somehow they had conspired to get the body from the casket (what had they substituted; a dead dog?) and brought it here - to the Candyman's tabernacle - as a toy, or a lover. She would take Baby Kerry with her - to the police - and tell the whole story. Whatever they believed of it - and that would probably be very little - the fact of the child's body was incontestable. That way at least some of the crazies would suffer for their conspiracy. Suffer for her suffering.

  The whispering at the door had stopped. Now somebody was moving towards the bedroom. They didn't bring a light with them. Helen made herself small, hoping she might escape detection.

  A figure appeared in the doorway. The gloom was too impenetrable for her to make out more than a slim figure, who bent down and picked up a bundle on the floor. A fall of blonde hair identified the newcomer as Anne-Marie: the bundle she was picking up was undoubtedly Kerry's corpse. Without looking in Helen's direction, the mother about-turned and made her way out of the bedroom.

  Helen listened as the footsteps receded across the living-room. Swiftly, she got to her feet, and crossed to the passageway. From there she could vaguely see Anne-Marie's outline in the doorway of the maisonette. No lights burned in the quadrangle beyond. The woman disappeared and Helen followed as speedily as she could, eyes fixed on the door ahead. She stumbled once, and once again, but reached the door in time to see Anne-Marie's vague form in the night ahead.

  She stepped out of the maisonette and into the open air. It was chilly; there were no stars. All the lights on the balconies and corridors were out, nor did any burn in the flats; not even the glow of a television. Butts' Court was deserted.

  She hesitated before going in pursuit of the girl. Why didn't she slip away now?, cowardice coaxed her, and find her way back to the car. But if she did that the conspirators would have time to conceal the child's body. When she got back here with the police there would be sealed lips and shrugs, and she would be told she had imagined the corpse and the Candyman. All the terrors she had tasted would recede into rumour again. Into words on a wall. And every day she lived from now on she would loathe herself for not going in pursuit of sanity.

  She followed. Anne-Marie was not making her way around the quadrangle, but moving towards the centre of the lawn in the middle of the court. To the bonfire! Yes; to the bonfire! It loomed in front of Helen now, blacker than the night-sky. She could just make out Anne-Marie's figure, moving to the edge of the piled timbers and furniture, and ducking to climb into its heart. This was how they planned to remove the evidence. To bury the child was not certain enough; but to cremate it, and pound the bones - who would ever know?

  She stood a dozen yards from the pyramid and watched as Anne-Marie climbed out again and moved away, folding her figure into the darkness.

  Quickly, Helen moved through the long grass and located the narrow space in amongst the piled timbers into which Anne-Marie had put the body. She thought she could see the pale form; it had been laid in a hollow. She couldn't reach it however. Thanking God that she was as slim as the mother, she squeezed through the narrow aperture. Her dress snagged on a nail as she did so. She turned round to disengage it, fingers trembling. When she turned back she had lost sight of the corpse.

  She fumbled blindly ahead of her, her hands finding wood and rags and what felt like the back of an old armchair, but not the cold skin of the child. She had hardened herself against contact with the body: she had endured worse in the last hours than picking up a dead baby. Determined not to be defeated, she advanced a little further, her shins scraped and her fingers spiked with splinters. Flashes of light were appearing at the corners of her aching eyes; her blood whined in her ears. But there!; there!; the body was no more than a yard and a half ahead of her. She ducked down to reach beneath a beam of wood, but her fingers missed the forlorn bundle by millimetres. She stretched further, the whine in her head increasing, but still she could not reach the child. All she could do was bend double and squeeze into the hidey-hole the children had left in the centre of the bonfire.

  It was difficult to get through. The space was so small she could barely crawl on hands and knees; but she made it. The child lay face down. She fought back the remnants of squeamishness and went to pick it up. As she did so, something landed on her arm. The shock startled her. She almost cried out, but swallowed the urge, and brushed the irritation away. It buzzed as it rose from her skin. The whine she had heard in her ears was not her blood, but the hive.

  'I knew you'd come,' the voice behind her said, and a wide hand covered her face. She fell backwards and the Candyman embraced her.

  'We have to go,' he said in her ear, as flickering light spilled between the stacked timbers. 'Be on our way, you and I.'

  She fought to be free of him, to cry out for them not to light the bonfire, but he held her lovingly close. The light grew: warmth came with it; and through the kindling and the first flames she could see figures approaching the pyre out of the darkness of Butts' Court. They had been there all along: waiting, the lights turned out in their homes, and broken all along the corridors. Their final conspiracy.

  The bonfire caught with a will, but by some trick of its construction the flames did not invade her hiding-place quickly; nor did the smoke creep through the furniture to choke her. She was able to watch how the children's faces gleamed; how the parents called them from going too close, and how they disobeyed; how the old women, their blood thin, warmed their hands and smiled into the flames. Presently the roar and the crackle became deafening, and the Candy-man let her scream herself hoarse in the certain knowledge that nobody could hear her, and even if they had would not have moved to claim her from the fire.

  The bees vacated the fiend's belly as the air became hotter, and mazed the air with their panicked flight. Some, attempting escape, caught fire, and fell like tiny meteors to the ground. The body of Baby Kerry, which lay close to the creeping flames, began to cook. Its downy hair smoked, its back blistered.

  Soon the heat crept down Helen's throat, and scorched her pleas away. She sank back, exhausted, into the Candyman's arms, resigned to his triumph. In moments they would be on their way, as he had promised, and there was no help for it.

  Perhaps they would remember her, as he had said they might, finding her cracked skull in tomorrow's ashes. Perhaps she might become, in time, a story with which to frighten children. She had lied, saying she preferred death to such questionable fame; she did not. As to her seducer, he laughed as the conflagration sniffed them out. There was no permanence for him in this night's death. His deeds were on a hundred walls and a ten thousand lips, and should he be doubted again his congregation could summon him with sweetness. He had reason to laugh. So, as the flames crept upon them, did she, as through the fire she ca
ught sight of a familiar face moving between the on-lookers. It was Trevor. He had forsaken his meal at Appollinaires and come looking for her.

  She watched him questioning this fire-watcher and that, but they shook their heads, all the while staring at the pyre with smiles buried in their eyes. Poor dupe, she thought, following his antics. She willed him to look past the flames in the hope that he might see her burning. Not so that he could save her from death - she was long past hope of that - but because she pitied him in his bewilderment and wanted to give him, though he would not have thanked her for it, something to be haunted by. That, and a story to tell.

  The Madonna

  Jerry Coloqhoun waited on the steps of the Leopold Road Swimming Pools for over thirty-five minutes before Garvey turned up, his feet steadily losing feeling as the cold crept up through the souls of his shoes. The time would come, he reassured himself, when he'd be the one to leave people waiting. Indeed such prerogative might not be so far away, if he could persuade Ezra Garvey to invest in the Pleasure Dome. It would require an appetite for risk, and substantial assets, but his contacts had assured him that Garvey, whatever his reputation, possessed both in abundance. The source of the man's money was not an issue in the proceedings, or so Jerry had persuaded himself. Many a nicer plutocrat had turned the project down flat in the last six months; in such circumstances fineness of feeling was a luxury he could scarcely afford.

  He was not all that surprised by the reluctance of investors. These were difficult times, and risks were not to be undertaken lightly. More, it took a measure of imagination - a faculty not over-abundant amongst the moneyed he'd met - to see the Pools transformed into the gleaming amenity complex he envisaged. But his researches had convinced him that in an area like this - where houses once teetering on demolition were being bought up and refurbished by a generation of middle-class sybarites - that in such an area the facilities he had planned could scarcely fail to make money.